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Blacks in Hispanic Literature is a collection of fourteen essays by scholars and creative writers from Africa and the Americas. Called one of two significant critical works on Afro-Hispanic literature to appear in the late 1970s, it includes the pioneering studies of Carter G. Woodson and Valaurez B. Spratlin, published in the 1930s, as well as the essays of scholars whose interpretations were shaped by the Black aesthetic. The early essays, primarily of the Black-as-subject in Spanish medieval and Golden Age literature, provide an historical context for understanding 20th-century creative works by African-descended, Hispanophone writers, such as Cuban Nicol's Guill n and Ecuadorean poet, novelist, and scholar Adalberto Ortiz, whose essay analyzes the significance of Negritude in Latin America.
This collaborative text set the tone for later conferences in which writers and scholars worked together to promote, disseminate, and critique the literature of Spanish-speaking people of African descent. For example, Antonio Olliz Boyd's examination of Blackness in Latin American literature is an unwitting call-and-response to Ortiz's analysis of negritud. Similarly, Martha Cobb and Sylvia Wynter examine concepts of race and representation in Spanish peninsular literature from the Moorish conquest through the Siglo de Oro. John F. Matheus describes the portrayal of Blacks in early Latin American literature, while Lemuel Johnson and Constance Sparrow de Garc a Barrio focus their analyses on Cuban and Puerto Rican poetry.
This edition of BHL includes a new introduction, which traces the development of Afro-Hispanic creative writing and literary criticism in the past thirty years. The field has been enriched by the publication of three important journals, organization of seminars and conferences, and application of new critical methodologies. This edition also includes a bibliographic essay that describes the creative production of Afro-Hispanic writers, particularly women, Latinos, and Ecuatoguineans who have emerged in the last three decades. The updated bibliography describes the publications of scholars, such as Richard L. Jackson and Marvin A. Lewis, who have broadened the field to include analyses of genres, themes, countries, and individual authors.
This collection introduced many academics to a new discipline, defined and shaped the contours of that discipline, and provided an aesthetic that led to the development of other theories. Cited by a literary critic in 2004 as "the seminal study in the field of Afro-Hispanic Literature . . . on which most scholars in the field 'cut their teeth, '" Blacks in Hispanic Literature, thus, helped to lay the groundwork for the evolution of Afro-Hispanic Studies.
About the Author
Miriam DeCosta-Willis is a former University of Maryland, Baltimore County professor, Howard University department chair, and the first Black faculty member at Memphis State University. Since receiving a B. A. degree from Wellesley College and M. A. and Ph. D. degrees from Johns Hopkins University, she has published nine books.