NOT IN STOCK,,, but we can attempt to get it
About the Author
Matt Zoller Seitz is the editor in chief of RogerEbert.com; the TV critic for New York magazine; the author of The Wes Anderson Collection, The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel; and the coauthor of The Sopranos Sessions. He is based in New York City.
Michael Chabon is the Pulitzer Prize-winning author of many novels, the most recent being Telegraph Avenue. He lives in Berkeley, California, with his wife and four children.
Max Dalton is a graphic artist living in Buenos Aires, Argentina by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2012) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams 2014). Max started painting in 1977 and since 2008, he has been creating posters about music, movies, and pop culture.
“In The Wes Anderson Collection, Seitz expands a series of video essays on Anderson’s influences, illuminating as much of Anderson’s process as possible in a massive, beautifully rendered volume. Although it looks (and sometimes reads) like a coffee table book, The Wes Anderson Collection brings together style and substance to provide a loving homage to Anderson’s films and moviemaking in general.”
— The A.V. Club
“Your coffee table wants—no, scratch that—needs this book . . . Packed with 400 images of everything from behind-the-scenes set shots to makeup inspiration to hand-drawn storyboards, the massive tome is pure eye candy. But in addition to the visuals, Seitz also dives deep into each and every Anderson film.”
“A magical tour of Wes Anderson’s filmography.”
— C magazine
“Each page of this book—filled with conversations, photographs and artwork surrounding each film—showcases Anderson’s pop-culture inspirations from Hitchcock and Star Wars to Jacques Cousteau and the French New Wave. Better than most of their kind, the talks reveal a candidness and honesty between critic and director, allowing Seitz to dig around Anderson’s vault and share his discoveries.”
“The Wes Anderson Collection comes as close as a book can to reading like a Wes Anderson film. The design is meticulously crafted, with gorgeous full-page photos and touches like a still representation of Rushmore’s opening montage.”
— The A.V. Club
“Reading the book, you feel as if you’re disappearing into the miniature world of Anderson’s movies, like you’re playing around in the files and fastidiously kept dossiers assembled for each project. In this way, the book mimics the work.”
“It’s smart, informative, and looks beautiful. In other words, it’s the perfect gift.”
— Complex magazine