NOT IN STOCK,,, but we can attempt to get it
Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice.
"A must have for anyone interested in why Modernism looks (and sounds) as it does."- Art Quarterly
"A constant source of delight - immensely informative - with its constantly engaging prose and many illustrations this book is extremely enjoyable as well as thought-provoking."- International Record