“Daniel's life takes some wicked-bad twists starting at the tender age of 12, when, mistaking his father's lover for a bear, he accidentally kills the woman with a cast iron skillet. His unfortunate mistake lands him and his father on the lam from the woman's boyfriend, who has a taste for revenge. John Irving creates marvelously quirky, memorable characters, and, like all his books, Last Night in Twisted River is full of razor-sharp wit and beautiful writing.”
— Deon Stonehouse, Sunriver Books, Sunriver, OR
From the author of A Widow for One Year, A Prayer for Owen Meany and other acclaimed novels, comes a story of a father and a son - fugitives in 20th-century North America.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River - John Irving's twelfth novel - depicts the recent half-century in the United States as a world "where lethal hatreds were generally permitted to run their course." From the novel's taut opening sentence - "The young Canadian, who could not have been more than fifteen, had hesitated too long." - to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.
"Last Night in Twisted River is a novel of excellence. This big-hearted, brilliantly written and superbly realised inter-generational tale of a father and son on the lam, and their flawed protector, stands comparison with the very best of Irving's previous work. It is absolutely unmissable."
— Irvine Welsh, Financial Times
"Last Night in Twisted River mulls the crises that steep Irving's finest work, from Garp to Owen Meany to Widow. Yet the scale here is more human, and his approach more humane, than anything that's come before."
— Los Angeles Times
"One of Mr. Irving's more powerful works."
— The New York Times
"Irving both tickles the narrative palate of saga — and suspense — lovers, and guides us gently down the paths of unaccustomed thought on civility, politics and art. . . . Irving always keeps one foot in the fairy-tale forest. Fate and kinship — by blood or choice — entwine as intimately in his books as they ever did in Dickens."
— The Independent