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This innovative book reassesses the history of musicology, unearthing the field’s twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.
The book unfolds in three parts. Busse Berger starts with the origins of comparative musicology circa 1900, when early proponents used ideas from comparative linguistics to test whether parallels could be drawn between nonwestern and medieval European music. She then turns to youth movements of the era—the Wandervogel, Jugendmusikbewegung, and Singbewegung—whose focus on joint music making influenced many musicologists. Finally, she considers case studies of Protestant and Catholic mission societies in what is now Tanzania, where missionaries—many of them musicologists and former youth-group members—extended the discipline via ethnographic research and a focus on local music and communities. In highlighting these long-overlooked transnational connections and the role of global music in early musicology, Busse Berger shapes a fresh conception of music scholarship during a pivotal part of the twentieth century.
About the Author
Anna Maria Busse Berger is distinguished professor of music at the University of California, Davis. She is the author of Medieval Music and the Art of Memory and Mensuration and Proportion Signs: Origins and Evolution.
“Meticulously researched and engagingly written, The Search for Medieval Music in Germany and Africa, 1891–1961 eschews glib appeals to globalism for focused accounts of three topics: European medieval music and its supposed parallels with non-Western (specifically African) music; antimodernist ideologies and a longing for participatory music; and the need to save the souls of contemporary others living far away. Reflecting the respective concerns of comparative musicologists, youth movements, and missionaries to East Africa, these three inquiries turn out to be mutually reinforcing, sometimes in surprising ways. Busse Berger’s labors in various archives, her nuanced and judicious readings, and her consistent focus on human agency even while acknowledging the shaping forces of various institutions make this a timely, original, and inspiring book.”
— Kofi Agawu, The Graduate Center, City University of New York
“The Search for Medieval Music in Africa and Germany, 1891–1961 presents a largely unknown or underrated history of African-European interactions in music. Brilliantly researched and full of surprising new data from the history of African missions, it is a unique, necessary, and exhilarating contribution. Busse Berger has collected an immense amount of original scholarly material and presents it with stunning directness and immediacy. This book is a mind-blowing experience for anyone interested in global musical history.”
— Reinhard Strohm, University of Oxford
“The Search for Medieval Music in Africa and Germany, 1891–1961 explores connections between musical scholarship and music making in Germany. The book is engagingly written and will stimulate readers to further reflection on motivations and uses of musical scholarship. Busse Berger offers an original and valuable approach to research on the intellectual and social history of musicology as well as an important contribution to the history of German missions in East Africa.”
— Stephen Blum, The Graduate Center, City University of New York
"A wide-ranging work that uncovers layers of reciprocal influence between comparative musicology, early music historiography, the culture of the Jugendmusik- und Singbewegung, and German missionaries in Africa."
— H-Net Reviews